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Artists Exposed | Corwin Prescott

I've always been a *HUGE* fan of Corwin and have followed his work on the site from the first day. If there is one thing that Corwin Prescott is great at, it's making anything (literally ANYTHING) look moody, ambient, and bold. (Must add that the beautiful women he photographs can make anyone envious). It was such a huge honor to interview this guy and really dive into what makes him tick. For more of his work, check out his personal site here.
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Where are you from/how did you grow up?

I'm from New Cumberland, Pennsylvania, a small town of which you haven't heard.  Mostly I feel like I grew up in a couple different scenes that have had a pretty big impact on my work.  I was really involved with the boyscouts, drumline, and punk/metal scene when I was in highschool, so I take a lot of that with me now.
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I think the combination of all of those has really helped me make compositional sense of chaotic and sometimes dark tableaus.  You know when you are in drumline, it is kind of like the musical equivalent of being in the military.  Everything is extremely structured, planned and perfectly timed.  And going from that to punk shows in my friends basement where you are an inch away from a band playing as loud and fast as they can, slamming into sweaty bodies, and bouncing off walls caked with condensation, it has an impact on you.  It helps you see that even in a place like that there is some sort of structure, so I kind of try to apply that to my work, and make a sort of controlled chaos.
The boyscouts is a lot easier though, I mean I wasn't a great boyscout.  I got in a lot of trouble for disappearing into the woods, a couple of times.  I liked camping and being outdoors, but I didn't like this new idea that exists in boyscouts where in order to advance you basically have to do the same thing you already do in school.  Take tests, do home work and so on.  I was already good at school why do it twice, but yeah boyscouts is easy: I like going outside and so that is where I do a lot of my shoots, or just get ideas for a lot my shoots.
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When did you start to feel that photography was the direction you wanted to head in?

I never really thought until my senior year of high school that photography was something that I could do in college or for a living.  The only reason I took my first photo class was so that I could have a class with my two best friends, and they were a lot better than me with a camera.  I'm not one of those people whose parents gave them their first camera at 5 or 6 and fell in love and have been shooting all of my life.  We all played instruments in my family, but pretty much none of use used camera's.  My dad always jokes that if he had a camera and somebody else picked it up to take a picture that'd be the only one that came out.
So I didn't have any plans on going into photography, I was going to be an English major.  I had taken every English class there was to take in high school, and passed all of the AP courses as well.  Then, I decided to take photo 2 as an elective and the first day the teacher said something to the effect of "I know not all of you are planning on going into this for college like, Corey (side note: I went by Corey until college) is, but you still have to work in this class."  It just kind of stuck with me, so when I started applying to colleges I wanted to double major in English and Photo, which is actually pretty hard to do, and after a long search I didn't find any schools that I could afford that would let me double major, so I took a two year technical degree photo program that worked out great.
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What angle are you trying to achieve with your photos? 

What I want to do with my photos, particularly my personal work is take subjects or themes that walk a line between art triteness, and shoot it in a way that is totally different than people have seen it before.  I mean most of my favorite subjects be it eroticism, outdoor nudes, or landscapes are all done to hell.  Eroticism is pornographic, but to me so are bad outdoor nudes or landscapes.  They are boring and its offensive that they continue to pass as what people consider art.
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I like creating images with multiple moods, a lot of what I do could be considered erotic, funny, or depressing depending on how you view it, or your own mood.  I like to explore darkness with a sort of Tarantino or Kubrick manner, a sort of humorous/beautiful/tragic concoction.

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How did you learn about Zivity and what was your first impression of the site?

I learned about Zivity from a model friend named Tracey who sent me an invite in the very early days of the site.  I liked the idea, but I'm a photographer, so I forgot to sign up and submit for at least a couple more months.
I really liked the idea behind the site a lot.  I've always wanted a place to showcase my art to a wider range of fans, and make a little money from it, but losing the copyright to my photos has and always will be a no go.  I love that they let me keep my copyright. That alone is the biggest plus for me.

How has your photography changed since you’ve been on the site?

Well I don't think has really changed that much.  I have gotten better at what I do, but that comes with time.  As long as you keep shooting and keep editing inevitably you will get better and more consistent.  I think most probably the biggest way it has changed is that I shoot stuff other than my personal work.  Sometimes I'm out of idea's for myself, so I just shoot something fun for Zivity.  Its nice not to deal with the pressure of constantly creating images to fit the few themes I have going on for myself every shoot. 
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How did you meet all of the gorgeous models you work with?! 

I mean initially, I met everyone I worked with through Modelmayhem, and networking.  Not incredibly exciting, but now I'm less active on there, so I sometimes meet them through friends, or through Zivity.  I know social networking how exciting, but its the only way I have found to meet people and get them in front of my camera. 

What is Uncropped magazine? How did it start? Where are you trying to go with it?

Uncropped Magazine is one of the many ideas I've had on my many 12 or more hour drives.  You get a lot of time to think on the road when everyone else in the car has fallen asleep, and its just you darkness, and 8 hours at 75mph through South Dakota.
So Uncropped, is my brain child, but its not really my magazine.  Vaunt does pretty much everything.  All the graphic design, the emailing, business, and layout that is all Vaunt.  I pretty much just come up with cool ideas for a few of the articles we have in each issue, shoot content for it, and help her decide which photography, and artists we want to involve.  Where we go is pretty much her call as I'm not really in the drivers seat, I'm more like the child in the back seat that sees a sign in Kansas and says "Hey, wouldn't it be cool if we saw the little house on the prairie?"
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 You seem to travel around a lot- how did you make the move? (Financially, mentally, artistically)

Traveling is kind of our way of life.  We get a lot done when we are at home, but I feel like I get the most done when I'm on the road.  There have been models making a living as traveling artists for a while, and as my name in the photography world grew, I had lots of people hitting me up for shoots all over the country.  I figured I want to travel, see the country, and I have friends all over the place I can make this work, so I took to the road.
Making it work takes a couple trips.  I think I'd already driven coast to coast at least 6 times before I really got a feel for how to book these trips.  I always had places to stay in cities, but I did spend a lot of time sleeping in my car at grocery stores, post offices and highway turn offs to save money.  You don't make a lot of money being a traveling photographer unless you are better than planning than I was then.  The plus side was that I managed to break even, and saw more of the country than most people will in their lifetime.
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Now our trips are like a well oiled machine.  The car gets packed perfectly, we have a tent, sleeping bags rated for negative forty degrees Fahrenheit, and generally we don't constantly get canceled on, which is awesome.
For your art while traveling you just have to find a way to work it into the system.  Go to the city do your work, and then spend sometime in a national park, camping, shooting and hiking.
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Where do you live now and who do you live with?

So right now I live in Philadelphia in what we refer to as the Compound.  In my apartment I live with Vaunt and Porcelain, but we have had a pretty large number of Zivity people live with us.  Alysha Nett, Rachel Dashae, Stephy C, and Laura T have all called this apartment home at one time or another.  Then in the building we've also had or currently have PXE, Jackie, Velocity, Rilo Monroe, Redrum Collaboration, and Adrian Louise.  
So there are a lot of us.
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What lessons have you learned through your career in photography that keep you going?

I think the more you learn about photography as a career the harder it is to keep going, but you either do it or you don't.  A lot of people don't make it for any number of reasons.  It can be disheartening to see shitty work frequently rewarded financially with jobs from big magazines, grants, or gallery shows because of a last name, or a connection you could never hope to have.
I dunno a lot of people I graduated from school with aren't doing photography anymore, some are, but its the minority.  The only thing that will keep you going is yourself, and support from, family, friends and fans.  You start with the first two, then you gotta build the third. 
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Filed under  //   Artist Feature   artists exposed   behind the scenes   corwin prescott   interviews   vaunt   watson  

Artists Exposed | RazorCandi

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I have to admit, I didn't know much about RazorCandi when I first interviewed her. All I knew going in was that she was gorgeous, has amazing tattoos, and that her lovely corset collection could make any girl jealous. RazorCandi has an undeniable edge to her, but underneath all the bondage and body mod, she's a talented artist with an eye for the more creative things in life.

Where are you from and how did you grow up?

I was born in Baltimore, Maryland and from there moved around a lot due to growing up with a father who is a lieutenant commander in the Coast Guard. I spent a good portion of my early adolescent years in Pennsylvania and then my teen years to young adult in Tampa, Florida. Moving around must have grown on me as I now live across seas in Romania!

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What was your experience of High School and how do you think it has affected who you are today?

High School wasn’t as dreadful as most in my shoes might have experienced. Surprisingly enough I did not get picked on for being one of the very few alternative chicks, people actually let me do my thing in peace and recognized my unique style which stood out even among the other goths. I guess since I had been dressing different since middle school people were over it by the time I reached High School, on that note I did get picked on a lot in Middle School, even by the principal who always made sure to intrude upon my outfits and make up by demanding that I remove or change things, she even went as far as suspending me a few times for “masquerading on my face!” or “showing too much skin!”     

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How did you get into modeling?

I discovered my interest in modelling around year 2001. It began simply as a hobby and leisure pursuit. I find that modelling is a great way to express art and emotion. I’ve always been especially interested in painting but I feel that modelling is a more instant result. Modelling only became significant when I noticed I was inspiring people and that I was making an impact. It’s an elevating feeling to encourage people to learn and be part of the alternative community. I never actually started modelling with the intent to become a model, I continually look at my modelling in more of a stylist’s point of view. I prefer to have my photos taken to display my changeable looks and ideas. A model is generally a person that serves as a subject for an artist, in my case I model my own artistic ideas, though I have collaborated with many exceptional clothing designers as well. Only until last year did I delve into adult modeling which is new and exciting angle for me. It has opened many new doors and has helped me excel even further with my ideas, in addition it has become an exceptional way for me to express my sexual side which was very repressed during the more fashion modeling period of my life as most of my followers were young teen girls.

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Did you model or do photography before you joined the site? Where? How is Zivity different?

I did model extensively before Zivity, but I have suspended all my other websites in which I was posting material and I plan to keep my sets exclusive on Zivity at least for the time being as right now it suits my output perfectly and I love that it’s so organized not to mention all the members so far have all turned out to be awesome, interesting, interactive people. I also enjoy Zivity because it is very different in the way that it’s challenging, the prizes are a great motivation to create themed photo sets, the people are all around very friendly and the voting system is something I’ve never seen on other sites.

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You have a very dark and edgy appeal - what drew you into fetish/bondage modeling? How does it reflect your personality? 

I found myself being drawn to the lifestyle at a pretty young age mainly out of interest in the fashion. As I’ve gotten older and more experienced I’ve developed a greater taste for the lifestyle. As a girl with a dominant personality and a kink for bondage it was natural for me to find an affinity to the fetish scene. I feel it reflects my personality greatly because of my strong individuality, though I also have a weakness for being dominated, tied up, gagged and spanked despite my self-assured qualities *wink*. Being called a model (fetish or not) unfortunately does not reflect to the full extent my artistic skills, since I do my own styling and make up and I am also a painter I feel that simply being labeled as a model makes me out to be more of a prop than a creator.

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Describe your biggest fantasy!

I don’t really hold a big fantasy as I usually get to live out anything I set my mind too, but if I were to say something off the top of my head it would involve a night out in the town, good food, a fun show, lots of booze, and lots of beautiful, sexy punk boys and girls to share my bed with. The rest is too explicit to share ;)

What are you trying to communicate through photography?

My main focus on modeling and what I am trying to communicate through photography is to inspire art while expressing myself. I love to support and expose people to the alternative lifestyle and modeling makes this possible. As far as adult modeling goes I find the raw sexuality to be both exhilarating and empowering! Clearly I’m a bit of an exhibitionist and I find it very arousing to know that my photos get to be viewed by countless people.

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How did you learn about Zivity? What sold you on joining?

Kassandra Love contacted me on FetLife and told me about the site. She thought I’d like it and she was right! I had been hearing about Zivity over the years and thought maybe it was time I try it out!

How would you describe Zivity to someone who has never heard of it?

I would describe Zivity as a site where models and photographers can finally post full sets which are slightly more sexual but still very artistic and make money while doing it, which can never be a bad thing! I’ve always run into problems with my work being a little too racy and extreme, but Zivity gives me the chance to demonstrate the full potential of my sets without having them be rejected. Zivity supports art of every kind while also allowing a voting system for the artists to make money off their hard work and allowing fans and admirers to enjoy it. This combination on Zivity has lead to the members being all very supportive of one another and I have felt very welcome since I’ve joined so I would definitely recommend it to other fellow models.

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You have a lot of tattoos - which one is your favorite and what does it mean? 

My favorite tattoo is the bats around my bellybutton. I chose to do it when I got out of an abusive five year relationship in which I was very controlled so when I left the relationship I decided to get my first tattoo as a sign of freedom. I got the bats because I’ve always been a bit of a goth at heart, I thought the bats flying around the bellybutton were a cute representation of bats around a batcave which was a good icon for me as I am very into old school goth/deathrock music and last, yet most important, the bats are flying which symbolizes freedom and independence.

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What was your first body modification? What was that experience like?

I think my first body mod was my septum or my tongue, I don’t remember which came first. I was only fifteen and I got them done at this place called Ink Man Dan’s in Tampa. The tongue piercing turned out fine but the septum was crooked, pierced through the cartilage, and done incorrectly, as a result it was very painful, the tongue wasn’t too bad,  I think the healing process was the worst part as it swelled so large I was reduced to eating soup broth and stuck with a speech impediment for about a week. My twin and I later Christened the shop “Stink Man Dan’s”. I don’t regret the experience what so ever!

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What are some of the things you enjoy when you're not online? 

Watching movies (just finished re-watching the extended uncut LOTR trilogy!) while cuddling with persons unknown, painting, video games (D&D or AD&D based RPG’s), visiting the tea haus to try different teas, sewing as in modifying clothing, cooking and trying new recipes ….and last but not least, while not very geeky I love partying of course! Nothing like a crazy night out to get my blood flowing, along with other things *wink*

Are you passionate about anything else? What is it? Why?

I am extremely passionate about painting and almost every form of art, I love getting lost for hours in my paintings. I am also very ardent about environment and animal rights issues. I live by a vegan diet and I can make anyone’s taste buds orgasm with my cooking.

 

 

Why are you a vegan? How long have you been one?

It’s a very controversial subject so I won’t go into it too much. I chose to become vegan for animal rights. I’ve been vegan for a little over a year after I became exposed to a lot of information about animal cruelty and environmental activism, today I could never dream going back to meat or dairy products. I do plan to go completely vegan with my lifestyle once I retire from modeling but choosing a career path like modeling is not very lenient with a vegan lifestyle though I try my very hardest to avoid animal products or items tested on animals and have turned down many modeling offers due to this. 

 

When did you know that art was something that you wanted to pursue?

I knew I had a niche in art when I took it as an elective in high school and I picked up painting quite effortlessly. I wouldn’t truly call it a career, I’ve drifted away from painting a lot since I started modeling so it’s a hobby that has taken a seat on the back burner, though my techniques have evolved over time, just as any would with enough practice, unfortunately as long as the hobby remains on the back burner my techniques will remain untrained.

Art by RazorCandi:

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(For more of her art, check out her DeviantArt here)

 What themes would you like to explore more of with your art?

I would like to explore using different mediums. I only recently moved onto oil which was not taught to me in school, I was mainly trained to use tempera paint and acrylics so oil is certainly something I’d like to study more. As far as themes go I would like to branch off to more fantasy and ethereal styles like Boris Vallejo and also darker stuff likeHieronymus Bosch style.

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Do you think that your art has pushed you forward as an individual?

Since I started out with art at an early age I would definitely say that art has pushed me into being creative and more of an individual. Art has helped me develop a very keen eye for details and has exposed my mind to imaginative and very inventive thoughts. It is hard for me not to observe the world outside of an artistic point of view.

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 Do you feel that art has shaped your identity over the years? In what ways?

Absolutely. I feel art has pressed me to expand my mind and creativity thus forming my identity into a very visional persona. Painting is a very emotional process for me, just as modeling and preparing for a shoot is, these steps all construct strong artistic qualities in my personality. I feel art has allowed me to psychologically and physically express myself.

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Filed under  //   Artist Feature   artists exposed   interviews   models   razorcandi  

Artists Exposed | Photogofer

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I love talking with photographers who have been in the field for years and it's always exciting to gain some insight into what it's really like. I got the awesome opportunity to chat with Photogofer about his journey through photography and pick his brain to learn about how he's adapting to new technology, girls, and motorcycles. This guy is awesome...seriously.

Where are you from and how do you think it has affected the way you are and the type of work that you do?

I'm pretty much an Oregon native except for being born in Seattle.  My Father grew up in Silverton, Oregon and when I was a year old, my parents move back to Silverton. I'm not sure if being a native of the Northwest had any real affect on my photography unless it is the relaxed laid back life style of the Northwest. I'm pretty mellow and I think it helps in working with models.  Except for my 6 years in the Navy, I've always lived in Oregon or Washington.

What got you into photography? Have you always been artistic?

My father probably got me started by setting up a small simple home darkroom when I was a kid. We had no real training and just a simple box camera. We had lots of fun though and it sparked enough interest for me to pursue Photography when I joined the Navy out of High School in 1962.  I guess I've always been artistic, my dad was a pretty good artist, but I didn't really know I was until I started working in Photography in the Navy.

After 6 years active duty and an honorable discharge, I wandered into the Skagit Valley Herald in Mt Vernon, Washington to hopefully chat with their photographer about possible work in the area. Much to my luck, their photographer gave notice the same morning and I started working the next day. I worked there for 8 years and 20 years at the Bellingham Herald after that. Followed by 11 years at the Statesman Journal in Salem. My work at the Statesman was not as a photographer but as an imaging tech. (mostly Photoshop for the photo staff)

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You mention that you were a photojournalist for 40+ years, what was that experience like?

Being a Photojournalist (news photographer) was a great way to make a living. Not the best pay but quite rewarding.  I liked the fast pace and daily deadlines. Sometimes hourly deadlines. Also the variety. As I always said, "fashion to football and everything in between". A great way to stick your nose into everyones business and get paid for it too. 

A photojournalist has the honor of doing things most people never have an opportunity to experience.

Everything from covering the visit of Queen Elizabeth in Victoria, BC to following the Seahawks up and down the sidelines to riding in an open cockpit biplane during aerobatics.  Too many experiences to cover here, and many good times. I'm still talking on Facebook with a man who remembers me photographing him in High School in the early '70s.  Many long time friends.

What are some of the things you've learned while doing photojournalism? (doesn't have to be related to photography) What are some life lessons you've learned through travelling and documenting history?

I don't really know if photojournalism is the reason but being patient and open minded are big lessons. It also makes you think about how to get things accomplished outside the normal way of thinking.  Your job is to get coverage of an event that some times is not easy to get to or get access to.  You can't just go back and say "I couldn't get there or get in".  Probably the best life lesson is learning to work with and get along with all kinds of people.

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When did you decide to pursue photographing women? How did you get your start?

I started photographing women very early in my photographic career. When I was still in the Navy I started experimenting with photographing women. Mostly just portraits, I was much to shy to go beyond that.  The idea of photographing a woman nude was way beyond my self confidence at the time.  But, even my early portraits were often very soft and sensual.  I must have had a natural eye for beauty. My first nudes were much later while working in Mt Vernon for the Newspaper there. I had been working with models quite a lot and one of my models became a close friend and suggested it herself (much to my relief).

Once I lost my photographic virginity it became much easier to find models and as I gained confidence and skill, the models were much more willing to work with me.  I remember early on having a neighbor who was asking me about my "taking pictures of naked girls" I told him when I was ready I would show him the results.  I was very pleased when his comment when finally seeing my prints was "Wow, you are serious about this"  Certainly not what he was expecting.  I should add that my beginning text book for posing and lighting was Playboy. I would study my favorite shots and diagram them on paper for lighting then find one of my willing models and experiment until I felt I had the same effects.

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One of the best things about my relationship with my wife is the fact that she is an artist whose favorite subject is the nude. When processing my photo shoots she will often look over the results and pick a few for herself to work from. She is also one of my best model recruiters. She has brought me many of my best models with the hope of having subjects for her art.

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(see more of her art here)

Do you always try to incorporate a narrative or a story to your photos? If so, how do you plan it out? (If you don't, then you're damn good at creating a story in your sets. Hats off to you, sir.)

When ever possible, I like to create a story line. It's probably the photojournalist in me, I like telling stories.  I like my sets to try to have a beginning and an end. Why would she take off her clothes? Well, here is the story, here is why.  Also, I like to have fun with my sets and I want the models to have fun and want to come back for more. When I'm really lucky, the models will have a story line in mind because after over 170 sets, I'm running out of ideas.  But, some how, I seem to come up with more ideas.

What is the craziest/funniest/most interesting thing that has ever happened during a shoot?

There have been lots of funny/interesting things but the most unusual are usually when shooting outdoors.  Like when were were on a remote country road and the model had just dropped her dress when a School bus came over the hill.  Or another shoot in the same area and wondering about the noise getting louder but nothing in sight. Then a huge Tractor Spray rig crests another hill coming down the field at us fairly fast (for a tractor).  And one I should probably not admit to, after driving about 15 miles to a shoot location with an out of state Zivity model and setting up my lights and props, NO CAMERA!!!!!!  I'm sure that has to be the most embarrassing moment in my entire photographic career.  We went back for the camera, went to a closer location and got something better than what I originally planned but still.

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When and how did you learn about Zivity?

I'm not sure but I think I originally read something about Zivity in a magazine article just over 2 years ago. I don't remember which magazine but for some reason I'm thinking it might have been Playboy.

What do you do when you're not doing photography related things?

When not doing photos, I'm a bit of a collector. I'm a treasure hunter I guess. Garage sales, estate sales, thrift shops, Antique Malls, Antique Shows. I love them all.  I've been collecting vintage writing instruments for over 30 years and we have had two of our pens featured on the Antiques Road Show. I'm also a bit of a vintage camera collector (go figure). I look for items at estate sales and thrift stores to re-sell on Ebay or Craigslist.  I recently bought an old Kodak Retina camera for $8 and re-sold it on Ebay for $50 in less than an hour after listing it.  Vintage watches interest me also but I'm not as knowledgeable about them.  Still learning.

You mention that you are a motorcyclist, is it a hobby for you? What kind of motorcycle do you have?

Ah yes, Motorcycles. My other non photographic passion.  I've been riding for around 50 years now. My current rides are a 1996 Honda Pacific Coast and a 1969 Montesa Cota trials bike.  The Honda is an 800cc sport touring bike and a bit on the rare side I think. Not many of them around.

The Montesa is the most recent addition to my addiction of vintage Spanish dirt bikes. I've had three Bultacos over the years and now two different Montesas.  I'm a member of a Motorcycle group called SMOG. "Spanish Motorcycle Owners Group"  I've also had a few different BMWs. When I was still employed, I rode my motorcycle to work every day so long that it didn't snow or have ice on the road.

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How do you think technology has changed photography? Is it a good or a bad thing?

The most obvious change to photography of course is Digital. For me, it's a good thing.  It took me a long time to be convinced that Digital could replace film but It's getting so good, it's hard to tell the difference sometimes.  

I still miss the pleasure of making a fine print in a darkroom but making a fine print from Digital is almost as rewarding and doesn't smell as much.  I think it is a bit of a loss for new photographers to not have the experience of working with film and a darkroom. Having that background makes you a better photographer in my opinion. It gives you a better understanding of the process of photography.  

Another advance in technology is the accuracy of auto exposure. Another good thing but again, students of photography should not rely on automation. You have to know the basics to achieve the effects you desire. Auto exposure can not read your mind, you need to control exposure, the balance of shutter speed and lens opening.

How are you adapting to all of these new changes in camera technology and the internet?

The new technology and the internet have given us all wide world exposure of our work. Everyone! Not just photographers. Another reason to do your best, everyone will see it. It's not just your photo album anymore, it's the world's and I'm sure it has made me a better photographer.

What have been the most rewarding aspects of being on Zivity?

I love the challenge of producing a quality set of work.  Not just one or two nice photos but an entire set of 20 to 40+ images that you can be proud of.  Zivity give me that challenge every week.  It works my imagination and keeps me alert. Of course, getting recognition for your work is very rewarding. Be it votes or comments, it's nice to have the feedback. I think we all appreciate a pat on the back and Zivity gives us the opportunity to get those pats.  I think one of the most rewarding comments I've gotten from a few young photographers has been, "How do you get them to look at you like that?"

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What are some challenges you have faced?

Probably my biggest challenge is my budget. I don't have a nice studio to work in, just my home and I can't go buy the newest and best lens or camera. But I like challenges, I like making it work with what I have.

How would you describe Zivity to someone who isn’t an online person?

That's a hard question, I'm always trying to answer that too.  Zivity is a little like a cross between Playboy and a good photography magazine on the internet. Yes, it celebrates the beauty of women but it also celebrates photography of women. It's a showcase for all of us want-to-be Playboy photographers and photo artists to exhibit our work and get a little feedback while doing it.

Filed under  //   Artist Feature   NicholeAlbright   Photogofer   Pictures   Zivity Exposed   interviews   photography  

Los Angeles Based Photographer Scott Nathan. Whimsical, Comedic and Often Ironic, But Always Memorable. | BronImagingBlog

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Awesome interview with the super talented Scott Nathan. I love how he tells us the stories and tools behind some of his most well known images.

Filed under  //   interviews   photographers  
Posted by dollydahl 

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